12th to 14th June 2020
The Churchfitters is a folk band like no other. A bass guitar made out of a frying pan. Heart-wrenching vocals accompanied by a musical saw. Foot-stompingly fast fiddle mixed with infectious funk-rock bouzouki. And traditional tunes reinvigorated with mesmerising jazz sax.
The three virtuoso musicians from England and France strut their stuff on a stage that bristles with instruments – adding flute, banjo, dulcimer, tin whistle, guitar, ukulele, stand up dustbin bass and a sackful of percussion to their ensemble. And let’s not forget the unique ‘bing-bong’ machine made out of hack-saw blades.
Throw in some exquisite harmonies, a slew of startlingly original songs and a few jokes that create instant rapport and you’ve got a high energy show that always leaves audiences cheering. How do you adequately describe such a musically diverse, uplifting band? You leave it to Mike Harding, a self-confessed ‘huge, huge fan’. He calls them ‘totally brilliant and beautiful’.
John is one of the most prolific figures on the English folk scene, performing solo, in duos, acoustic groups and electric bands, and has established an enviable reputation as an instrumental virtuoso and session musician, as well as a leading interpreter of English folk music. He has been a member of the Albion Country Band, Magic Lantern, The Richard Thompson Band, Umps and Dumps, Steeleye Span, Brass Monkey, Trans-Europe Diatonique, and Band of Hope, as well as numerous ceilidh bands.
Leveret is a unique collaboration between three of England’s finest folk musicians. Andy Cutting, Sam Sweeney and Rob Harbron are each regarded as exceptional performers and masters of their instruments. Together their performances combine consummate musicianship, compelling delivery and captivating spontaneity. Leveret’s music is not arranged in the conventional sense and instead they rely on mutual trust, listening and responding. Their playing is relaxed and natural, drawing audiences in and inviting them to share in music making that is truly spontaneous and yet deeply timeless.
A BBC award winning folk musician and former Riverdance band member who has performed with Ian Anderson of Jethro Tull, Cara Dillon and De Dannan. Folk Musician in Residence of the Scottish National Museum of Rural Life and tutor on the traditional music course at Royal Conservatoire Scotland in Glasgow. His 2015 album of melodeon music transcribed from early wax cylinders and 78s was described in the Scotsman as “outstanding.” A soloist on the Lord of the Rings and The Hobbit soundtracks he performed at the Royal Festival Hall with the London Philharmonic Orchestra. His commissioned work for the PRS for Music New Music Biennial in 2014 was broadcast live on BBC Radio 3 from London’s Barbican Centre and Glasgow Royal Concert Hall. He has performed at the Edinburgh Festival’s Assembly Rooms and on Broadway with Riverdance. His musical partnership with the School of Philosophy at Edinburgh University culminated in sell out shows at Celtic Connections Festival on two consecutive years with Songs of the Scottish Enlightenment. He recently sang and played live for Mark Radcliffe on his BBC Radio 2 folk programme and was described by Mark as a “master melodeon player.”
Martyn Joseph is a performer like no other: Shades of Springsteen, John Mayer, Bruce Cockburn and Dave Matthews there may be – but he stands in his own right, built on a reputation for giving what thousands have described as the best live music experience of their lives delivering his “songs of lyrical intelligence” according to BBC Radio 2’s Bob Harris.
Blanche Rowan, Mike Gulston, Pete Coleman and Clare Hines
Metheglin play dance rhythm based tunes on weird and wonderful instruments! – Mandola, bagpipes, hurdy-gurdy, bowed psaltery and percussion!
Odette Michell is a British folk singer-songwriter, guitarist and bouzouki player with a bold new take on the acoustic tradition and a voice capable of demonstrating the finer points of both folk and traditional song with genuine craftsmanship. Her vocal style has been described as “warm, intelligent and sitting comfortably amidst folk guitar in a timeless songwriting style” – and has been compared to the likes of Sandy Denny and Joni Mitchell.
Phoebe Rees is a musician and songwriter from Oswestry. Influenced by a diverse range of musical genres and cultures, she predominantly combines elements of Celtic, English and American Folk traditions into her music making. Drawing on inspiration from her early years in the Scottish Highlands, experiences as a classical viola player studying in Edinburgh and London, and subsequent travels throughout the rest of the British Isles, Europe, South America and India; she performs her own compositions along with interpretations of material by other artists close to her heart. Phoebe sings and accompanies herself mostly on the fiddle, viola and guitar.
Ryan Young and Jenn Butterworth
Ryan Young is an emerging young fiddle player from Scotland – one of a ‘new wave’ of young players bringing fresh and inventive ideas to traditional Scottish music. Ryan’s fiddle playing is brimming with fresh melodic ideas, an uplifting rhythmic drive and a great depth of dynamics and precision. Ryan Young’s violin sound is very distinctive and he always manages to take the listener on an adventurous and emotional journey in any performance. Ryan studied and graduated with a first class honours degree in Scottish Music from The Royal Conservatoire of Scotland and has now also completed his Master’s in Music. Ryan is a two time BBC Radio 2 Young Folk Award nominee, a Celtic Connections Danny Kyle Award winner and was as a finalist in BBC Radio Scotland Young Traditional Musician 2015 and 2016.
Jenn Butterworth is one of the foremost folk guitarists in the UK acoustic music scene. An excellent collaborator, she has been a key member of a range of high profile folk music projects, including Ross Ainslie and Ali Hutton’s SYMBIOSIS Big Band, three Celtic Connections New Voices, four years on the BBC Hogmanay Live show as a member of the All Star House Band and recently a member of folk supergroup ‘Songs of Separation’ involving an array of prominent folk artists including Eliza Carthy, Lady Maisery and Karine Polwart. The Songs of Separation album, conceived, arranged and recorded in just 7 days, won the title of ‘Best Album’ at the Radio 2 Folk Awards in 2017.
The Teacups Trio
Comprising the singing talents of, Kate Locksley (Night Fall), Rosie Calvert (Speldosa) and Will Finn, the a capella trio have been creating a storm across the UK festival circuit in the past few years with critically acclaimed performances at Shepley Spring Festival, Beverley Folk Festival, Warwick Folk Festival, Sidmouth Folk Week, Whitby Folk Week and many more.
Andy Cutting – diatonic button accordion – (Blowzabella, Leveret)
James Delarre – violin – (Mawkin, Eliza Carthy)
Julien Cartonnet – bagpipes, banjo – (Mister Klof, Coast to Coast)
Tania Buisse – bodhrán – (Shelta, Lost Highway)
Barnaby Stradling – acoustic bass guitar – (Blowzabella, False Lights)
A collective of uninhibited musical adventurers playing self-penned and traditional music from anywhere, with a winning mix of bonhomie and grit. Born out of friendship, the five-piece play naturally social music – for filling dancefloors, for listening, for drinking with friends – but don’t expect it to merge into the background. This is raunchy, up-all-night, joyously jugular-grabbing dance music.
Traditional music comes to the concert hall! VRï have risen to prominence in Wales and further afield over the last two years, gaining high acclaim for their exciting sound, stylish arrangements and innovative art-music interpretations of folk melodies and songs. Although their roots are in Wales and the backbone of their repertoire is Welsh, VRï make a point of blending other traditional musics from around Europe, and have been heavily influenced the ‘chamber-folk’ artists from both sides of the Atlantic. VRï’s vision has always been to maintain the integrity and individuality of their fiddle styles within the ideals of classical chamber ensemble, to deliver a product which harnesses both the raw energy of the fiddle and the finesse of the violin.